三个火枪手的读后感合集。

读作品，可以陶冶我们的性情。写读后感能提升我们的语文素养。但是写作品读后感有什么要注意的呢？请你阅读读书笔记吧编辑辑为你编辑整理的《三个火枪手的读后感》，大家不妨来参考。希望你能喜欢！

三个火枪手的读后感 篇1

《三个火枪手》讲述了围绕达德尼昂和阿托斯，波尔多斯，阿拉密斯的精彩故事。从这本书我感受到了他们四个人彼此之间的紧密配合与默契，更体会到了一个好的团队的优秀作用。

在与邪恶派头米莱迪对抗的争斗中，阿托斯发挥了他灵敏机智的优势，以先声夺人，在第一时间获得及时的情报，并与大本营商量对策。天生风趣的伙伴们选择了敌人防守空虚的城堡作为密谈地点。看似是危险的地方，但又有可能是最安全的地方。这更能体现出这个团队的大胆和勇敢。阿托斯与波尔多斯开心的吃着早餐，聊着彼此的计划。这群人在红衣主教死对头的眼皮子底下而且愉悦的商讨对策，毫无一丝拘束，这更能体现出他们的乐观大无畏精神。在敌人进攻时，他们并不惧怕，而是凭着优秀的枪技战胜一批又一批敌人。在大兵压城的危急情况下，达德尼昂又急中生智，巧出妙计。吩咐仆人们配合着将先前的一个个敌人尸体摆在城墙外，多亏了阿拉密斯这位天才的造型师。阿拉密斯将他们的动作调整的栩栩如生。他们中有的手托着枪，有的蹲踞瞄准，还有的卧倒在地。十分生动形象，不得不说达到了以假乱真的逼真效果，使敌人捉摸不透人数的多少。迫使按兵不动。而之后敌人大量主力正面进攻城堡。而此时，伙伴们却早早地撤出阵地。当他们回头一看，敌人还在城堡上的身影，所有人扑哧一笑。这样的举动也使敌人无可奈何，大扫颜面。这也就是团队的力量往往能在最危急的关头化险为夷的重要例子。我认为他们无惧敌人，是因为一颗对着国王赤胆忠诚的热情之心。那么他们的足智多谋，则是依赖于团队协同配合的力量。

商量对策完后，由于主人行动不便，易暴露自己。所以，布朗谢等仆人在最短的时间内分批前往通知不同的主公，阻止米莱迪的阴谋诡计。从这里我看出而这个米莱迪并非普通女子，他的阴谋诡计层出不穷，并且多次危及他人。“从那口腹蜜剑的表情中”，口腹蜜剑更是鲜明写出了其险恶多毒、笑里藏刀的两面性格。她在去英国执行任务的途中，由于计划已经败露，而布朗谢又成功的通知提醒了了德温特勋爵注意加强防范。所以德温特逮捕在她下船的那一刻便派手下人前往”护送“。最后濒临崩溃的米莱迪再次得到了她所应有的惩戒。这不得不说又是达德尼昂的团队互相配合的作用。他们发挥主人的头脑智慧，充分利用仆人的行动便利，不起眼的身份等，予以实施计划。当然这也离不开一个有领导力的决策者----达德尼昂。

这就是优秀团队的强大力量。他们拥有凝聚的力量，比拟浩瀚大海；有蓝天般的胸襟，乐观面对现实；更有着清雅竹林搬的智慧与思想，主导行动。正是这样一个有趣而机智的团队才能最终战胜敌人取得成功。并且彼此都为自己博得了一个美好的未来。

三个火枪手的读后感 篇2

最近，我拜读了大文豪大仲马的名著——《三个火枪手》，看完后，心中颇有感触，现在愿意和大家分享我的感受。在这部书里，字里行间透露着大仲马对当时社会的厌恶和唾弃，他以书中主人公——达达尼昂之口揭露了当时政府的和无能，并讽刺了那些专权的贵族们，把社会背后的推手——红衣主教一步步拉入舞台中心。他以细腻的笔触，刻画并描写了四位好伙伴所经历的故事，优美的文字酣畅淋漓的表达了对当时社会的憎恨和对美好未来的憧憬和向往。

故事大概是这样的：1662年，一个名叫达达尼昂的加斯科尼小伙子整装出发了，他的目的地是法国的首都巴黎，他的身上只带了可怜的11埃居，他在美丽的巴黎认识了形形色色、各种各样的人，其中便有他的三个好伙伴——阿托斯、阿拉米斯和波托斯，四个天生乐观、勤奋向上的小伙子共同创造了一次又一次辉煌的战绩，最后他们却分道扬镳了，从此再也没有了联系……

读完了这部长篇巨作，我颇有感触，在此书中，达达尼昂身负和平的使命，而红衣教主却对白金汉首相进行刺杀，并围困拉罗舍尔城，要把雷岛上的英国人全部赶出去，想掀起一场血雨腥风，此时达达里昂想尽一切办法阻止这场大战，让千万个家庭得以幸福安康，我深受感动。

三个火枪手的读后感 篇3

一个名叫达德尼昂的贵族后代，因家族败落，而不得不找父亲的老朋友——火枪营的统领来帮忙。到了火枪手营，统领帮了这个小老乡一把，同时，达德尼昂还结下了三个患难之交——阿托斯、阿拉密斯和波尔多斯。可以说，如果没有这三个朋友的话，达德尼昂是不会有以后的成就的。后来，达德尼昂一行人做出了许多可歌可泣的事情，最后，他们还杀死了坏蛋米莱迪。 达德尼昂的一生，可谓坎坎坷坷：想当火枪手，却当了禁军；喝了米莱迪送的酒时，差一点死；到了最后，也没有美好的结局，自己最爱的人被米莱迪害死了。

我觉的达德尼昂有许多值得我学习的地方：一、在统领特雷维尔那里，达德尼昂不完成自己的愿望誓不罢休；二、达德尼昂自己最爱的人死后，达德尼昂化悲痛为力量，捉住了凶手米莱迪，并杀死了他。

这本书非常好看，你也看看吧。

三个火枪手的读后感 篇4

The Three Musketeers is a marvelous journey and should be appreciated foremost for its engaging story. The techniques Dumas employed to such success in 1840-- particularly his mastery of the form of the Romance--still work today.

As we saw in the closing portions of the book, Dumas gives us a fully developed Romance within his historical framework. He starts with levity and confidence, and ends with moroseness and doubt. The ending, indeed, seems to question many of the books dearly held values. D'Artagnan达达尼昂becomes a lieutenant in the Musketeers, but his promotion comes from the Cardinal--the Cardinal whom he and his four friends had fought so valiantly against for the first half of the novel. In the epilogue, d'Artagnan befriends the Comte de Rochefort, a Cardinalist agent. Was all that earlier fighting really worth it, then? Or was there something futile in all the Musketeers' efforts? Both the possibility of futility and this return to the normal at the end of a great Quest, characterize the form of the Romance as much as do its lighter aspects. Dumas sees the form through.

With Dumas's historical context in mind, the melancholy of the Romance becomes even more pronounced. It is almost as though Dumas presents this wonderful Romantic adventure, providing people with a chance to escape day to day toil and immerse themselves in better thoughts about their country, and then spurns it. He cannot bring himself to see the lie of Romanticism through to the end. Even bearing in mind that this turn to ambiguity is typical for the end of the Romance, it is hard not to interpret the ending of the novel as Dumas's rejection of Romantic values.

There are two sequels to The Three Musketeers, which Dumas wrote to capitalize on the success of the novel. They are entitled Vingt ans apres, published in 10 volumes in 1845, and Dix ans plus tard, ou le vicomte de Bragelonne, published in 26 parts from 1848-1850. The latter opens in 1660, and tells of a matured, powerful d'Artagnan, captain of the Musketeers. It also contains the account ofPorthos's heroic death. But despite these sequels, Dumas never fully recaptured his success of 1844. His estate and his health declined until, after a period of furious attempted productivity to recoup his debts, he died in 1870. The Romance left his life as well.

But The Three Musketeers is not merely a Romance; it is also a great historical novel, and Dumas's interesting approach to history also contributes to the success of his book. While he keeps his characters away from being major players in national events, he is not afraid of brazenly attributing human motives to history. In Dumas's version, France and England very nearly fight a war simply because the Duke of Buckingham loves Anne of Austria: John Fenton assassinates Buckingham because of personal reasons provided by Milady, and so on. Part of the entertainment of The Three Musketeers is that, in seeming to avoid the great events and focus on petty affairs, Dumas explains the great events more satisfyingly and entertainingly than any direct explanation of affairs of state could hope to do. History does not have a face-- d'Artagnan has a face, and a handsome one at that.

Dumas's formula serves his story well. His incorporation of Romanticism into the historical novel lifted an entire genre of literature into public adulation, and gave the French people a story that reassured them about their country even as it brought them away from their country's troubles. Popular literature must be considered on two fronts: aesthetically and socially, as literature and as a popular artifact. The best popular literature, like the work of Alexandre Dumas, supercedes the latter category to come into our minds as a work of literature in its own right. It is not necessary to know about Dumas's life, or about French history, or about the genre of Romance, to enjoy The Three Musketeers. The superlative entertainment of the novel speaks for itself--which is why it remains so important and so interesting to study it.

三个火枪手的读后感 篇5

这是一部妙趣横生的故事，乡下青年武艺绝伦怀着建功立业的心情带着父亲的介绍人找已经飞黄腾达的老乡谋取前程。

这个故事写的妙趣横生，很有意思，奇怪当年我小学的时候怎么会觉得太无聊了而当时没有看下去~~

我觉得法国人和英国人真是不可思议，当时的决斗也真是不可思议，以三个火枪手加上达达尼昂和英国的那位勋爵及其同伴间发生的决斗为例，居然死了一名同伴就那样大家比试过之后就放下了，没有后续的打击报复什么的，以中国自古以来的传统看起来简直是不可思议。更不要提那些乱七八糟的王室桃色新闻了，一国的王后和外国的贵族有私情。。。这种状况不能理解啊~~

虽然这本书的主人公是四位勇气 剑术都非常高超的骑士，不过全书他们都笼罩在一位蛇蝎女人的阴影下，这个女人的魅力集中表现在她被自己的小叔子软禁时策反了他小叔子的忠贞的下属，并唆使他刺杀了白金汉公爵，看的真是让人觉得谛笑皆非。。。。。最后这个女人获得了让人痛快的下场。

大仲马先生实在是一位不错的说故事的人。